Sari Silk Patchwork Belt

The sari silk scraps that are available on Gwen Lafluer's website are irresistible, with their delicious, vibrant colors and glittering embroidery and gemstones. Naturally I ordered them in practically every color. They made gorgeous additions to several of my art pieces. I had quite a selection of scraps left over and thought there would be something magical about combining them with some Turkmen jewelry parts. I tried to visualize just the right project--and while I loved both the vibrant colors of the silks and the unique variety of Turkmen component--I couldn't come up with just the right project. I visualized a blouse, a vest, a skirt and a totebag, but I didn't feel inspired to pull out my sewing supplies and start creating.

My stash of silk scraps, Turkmen jewelry parts and Darn Good Yarn.

One day I was remembering some textile items that were gifted to me and my mother back in the early 1970s. My cousin had been sent to India for a year as a representative from the bank she worked for. Not only did her adventure spark my interest in the designs and fabrics of India, she also became one of my first career-woman role models.

My uncle went to visit her, and brought back exotic gifts for us: perfume and a green silk scarf for my mother, and a yard of yellow linen embroidered fabric (that I made into a fabulous mini-dress) and a hot pink linen embroidered sash for me. The gifts made a huge impression on me--a young "country mouse" who had hardly traveled out of upstate New York.

Fondly remembering the sash from India, I decided to make a belt. First, I put out all the silks to make my color selection.

These were some of the final sari silk selections used for the belt.

Next, I cut them into 2" squares. I had decided that 2" was the perfect width so I would be able to wear the finished belt with my favorite jeans.

I measured the space of the belt loop on my favorite jeans so that the belt would fit through them  just right.

I found some fusible felt interfacing and cut it into long strips, 2" wide.

One side of the fusible interfacing had glue dots that would melt and stick to the silk squares.

A cutting mat, rotary cutter, scissors and a metal ruler were used for precise cutting.

Next, I selected the colors I wanted, and using a rotary cutter with a metal ruler on my cutting mat, carefully cut them into 2" squares.

 

I arranged the silk pieces in a color gradation and when I had an arrangement I liked, and carefully fused the silk and interfacing together with a hot, dry iron. I used a piece of parchment paper over the silk to prevent scorching, and also to keep the glue of the interfacing from gunking up my iron.

The silk squares were carefully arranged and ironed on to the long,  2" wide strip of interfacing.

A view on my ironing board of one side of the fused squares.

The next step was doing the same thing on the reverse side. Since the fusible interfacing was only sticky on one side (the other side was felt) I used some wonder under lightweight fusible webbing and ironed the squares in place on the flip side. So far, so good!

The fused side was flipped over, and thin fusible webbing used to adhere the rest of the silk pieces.

Unfinished belt, with both sides fused.

I needed to cover up the join marks between the squares, so I decided to connect the pieces with contrasting stitching. I set up my sewing machine with black thread and got to work. My machine has a lot of decorative stitches, so I varied the design. I had never tested some of the stitches so I had fun experimenting.

 

The stitch choices were all really pretty, but I settled on a few favorites that seemed to go with the silk and Indian theme, and alternated them.

Detail of stitching.

Unfinished belt, fused and stitched.

In a few places, the silk had slipped and the white interfacing showed. I solved the problem by cutting small strips of contrasting colors and stitching on either side. It was a happy accident--the thin patched sections turned out to be some of my favorite parts of the final belt.

Detail shot of small patched and embroidered strips of silk.

The belt was going to need a closure of some kind. I debated about whether to use a buckle or a loop, and opted for the loop since it would allow the belt to be worn both tight around the waist or lower on the hips. I didn't have a D-ring handy, so I pinned some circular binder rings (leftover from my Turmeric Flip Journal project) in place and tested it out.

I tried the unfinished belt on to see how it was looking. So far, so good.

Testing the unfinished belt to see how it fit.

I noticed that the edges were a bit uneven and the silk frayed easily, and debated what to do:

• I could leave it raggedy and call the design "rustic"
• I could trim it off, but then the stitching might come undone
• I could bind it with fabric, but I didn't have enough commercial double-fold binding on hand that would cover both sides and the ends
• I could make my own binding out of fabric...an ambitious undertaking...and I was afraid it would overpower the patchwork design
• I could use some kind of sealant to keep the frayed edges from unraveling

My decision was to try some black gesso along the edges. The black edge would match the black stitching, and the rubberiness of the gesso (when dry) would prevent fraying yet still be flexible.

First, I used a machine blanket stitch along all the edges. Next, I applied the gesso. To keep the line straight and neat, I used a thin, heavy brass bar to block off the center parts. I carefully painted the gesso on with a small round sponge brush, lifted away the bar, cleaned the bar, and continued the process until all edges on both sides were painted black.

The heavy brass bar was positioned so that only a small part of the edge could be painted.

After the bar was carefully removed, the neatly painted black edge was visible.

Black gesso was carefully and slowly applied to the edges on both sides.

Was I done? Almost. It looked pretty good, but the collection of Turkmen jewelry parts was still calling to me.

I "auditioned" the various pieces to see if I wanted to have one on every square, alternate squares, and whether I wanted all round, or additional heart and rectangular shapes.

This "audition" had assorted Turkmen pieces on each silk square.

This "audition" had a round Turkmen piece on every other square.

 After some rummaging around in my sewing supplies, I did manage to find a set of D-rings, and switched the circular rings for the Ds. Before hand sewing the Turkmen accents, I hand stitched the D-rings in place.

I also tried on the belt again so that I would know where to sew the Turkmen pieces. I needed to be sure that, on the reverse side, some of the Turkmen parts would show when the belt was closed and the inside of the belt came through the end of the D-ring. I took care to use very small pieces that might fall near the closure.

The finished belt is colorful, fun, unique, and eye-catching! It can look elegant and festive on a "little black dress" or casual and Boho-chic with a pair of jeans or peasant skirt. I am sure I will get a lot of wear out of it. Although my new belt is really is not at all like the belt my uncle brought back from India in the 1970s (it was wider, hot pink, and had little mirrors embroidered on), it is every bit as pretty and whimsical, and evokes happy memories of my teenage years.

Turkmen and Fabric Boho Necklace

 I'm crazy about fabrics. Crazy about beads. Crazy about Turkmen jewelry parts, crazy about lapis. For weeks--maybe months--I had been trying to create a necklace with some of the gorgeous Turkmen parts that Gwen Lafleur carries on her website.

One day I accidentally placed a length of orange ribbon by the parts I was puttering with on my jewelry tray and decided that I just HAD to combine orange with the dark blue lapis Turkmen pendants, Turkman Waziri and Kuchi Pendants, and silvery Turkmen jewelry parts.

The Turkmen jewelry pieces looked great together on the design tray, but were too heavy when all used together.

The problem was that the orange ribbon wouldn't thread through the Chinese blue and white beads from my jewelry stash that I had incorporated into the design. So, off I went to the Garment Center to find orange beads or thin orange cord.

When I got home, neither the new cord nor new beads worked. And they didn't have exactly the size or color I wanted so I ended up with red beads and turquoise beads.

The red and orange beads weren't quite right with the Turkmen coins and Chinese blue beads.

Neither the red nor turquoise beads really looked right, so I took them away. The orange silk cording didn't seem strong enough to support the heavier Turkmen parts. Then I came up with a design that looked good on the tray, but when I strung them on the wire, it didn't hang right, it was waaaay too heavy. I also realized that I already had a necklace (created a few years ago) that was very similar sitting right in my jewelry box. I put the tray and beads away and slept on it.

This design looked pretty, but was almost identical to a necklace I had made previously.

Then I decided to start over. I puttered and puttered, adding and subtracting beads.

 

Finally I pulled it all apart, pulled out a few lighter weight Turkmen pieces, mixed it with the red and turquoise beads, added some rolled fabric beads I had made years ago, and decided to aim for a festive look. (Fabric scraps were cut into long triangles and rolled on a skewer to create the beads. They were hand-stitched and a few decorative seed beads added for accent.)

The handmade fabric beads were a lightweight, colorful and refreshing addition.

While deciding what to string it on, I remembered some colorful Spice Market Yarn. I "auditioned" it next to the beads and it seemed just right. The colorful "warm base" twisted fibers were just the thing to unite the fabric beads and lighterweight Turkmen elements.

The spice market "darn good yarn" went nicely with the handmade fabric beads.

Some lightweight Turkmen jewelry parts were mixed with the fabric beads.

I wanted the cording to show, so I decided to try tying the beads and baubles on with knots. I tested a small piece to see how it worked.

Small silver beads were used to keep the Turkmen parts from sliding off the knot.

To keep the Turkmen pieces from sliding over the knot, I added a few silver-colored spacers.

The colored beads had a tiny hole and the cord wouldn't go through them. My solution was to use a small headpin and turn a loop so the bead would hang off the cord.

A closeup of the bead with a turned loop, and the blunt needle used for stringing the necklace.

Several closures were tested, but a simple knot worked best.
The necklace is long enough to slip over the head without requiring a fancy closure.

The question, once all the beads were on and knotted, was how to create the closure. The cord was too thick for the silver closures I had on hand, and the little crimps were also too small.

I decided to make it long enough to go over my head and tied it closed.

The "Darn Good Yarn" was tied securely before being stitched to hide the ragged ends.

I didn't like the raggedy edges so I wrapped them with a pinkish-red thread and stitched it down neatly...well, not perfectly, but my wobbly stitching blended in pretty well with the colorful cord.

An blanket stitch was used to secure the loose ends of the closure.

The finished necklace is lightweight and fun, and makes me think of summer...maybe it is because the central Turkmen part that hangs down reminds me of a fish, or maybe it is the gingham check and calico prints that the fabric beads were made from. I picture myself wearing the necklace with a summer tee shirt, a flowing gauze skirt, walking barefoot along the beach boardwalk, watching the waves break on the sand, and feeling totally relaxed and recharged.