I experimented with all four Sacred Geometry stencils in my
journal, trying soft inks, graphic black on white, assorted colored markers,
and white inks on red paper. I tried them with acrylic paint beautiful
scrapbooking paper, and on thin deli paper. The results were good, but not
inspired.
Then I noticed a pretty piece of paper that had been hanging
around my art bin for a while. I had painted some watercolor paper a soft pink,
and then printed a circle texture over it using white printmaking paint and bubble
wrap.
I liked it, but didn’t know what to do next. It sat in the box for about
a year. Inspired by the Sacred Geometry 2 stencils, I decided to try using a
round, flat stencil brush, and pounced my favorite shade of turquoise (I mixed white acrylic with turquoise Dina Wakley acrylic) through a
sacred geometry stencil. It looked pretty good, but I put it to the side to dry and thought
“what next?”
I used the same turquoise shade and printed several stencils
on white cardstock. I was wishing that the stencils had a positive/negative image, but since they didn't, I flipped the wet stencils over and used them to get the
opposite image, carefully pressing the wet stencil down on the paper with a
paper towel.
I got a little creatively reckless and began overprinting stenciled images with different colors, and then I got even more reckless and began printing one stencil over another. I ended up with a whole bunch of multicolored pastel prints.
I also incorporated my Artistcellar mini chakra pocket stencils here and there. Again I thought “what next?”
I got a little creatively reckless and began overprinting stenciled images with different colors, and then I got even more reckless and began printing one stencil over another. I ended up with a whole bunch of multicolored pastel prints.
I also incorporated my Artistcellar mini chakra pocket stencils here and there. Again I thought “what next?”
The lightbulb went off in my head, and I realized two
things: the mini chakras could go in a circle on top of the pink and aqua
bubble wrap/stenciled paper, so I carefully used a blue mini ink pad to apply
color through each small stencil. I did not measure, I just “eyeballed” the placement
of the chakra stencils.
I decided that the multi-colored/multi-stenciled paper prints would make a good background. For many years I sewed and made art quilts, so cutting the paper into 3” squares seemed like a natural next step. I pulled out my green cutting mat, ancient long metal ruler (that I purchased in 1978!) and an exacto knife, then sliced the multicolored printed papers up carefully.
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| This paper print uses most of the set of 4 Sacred Geometry 2 stencils, as well as the Chakra pocket stencils. |
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| The sliced printed paper using multicolor prints of Sacred Geometry 2 with Chakra pocket stencils. |
I chose the squares I liked best, arranged them as a border, alternating lights and darks and varying the color, then carefully taped them together on the back.
Before adhering the center piece to the border, I “aged” the edges using a combination of sepia Adirondack ink and a brown chalk ink. The 12” x 12” piece is currently hanging on my living room wall, above my art table, and it is a constant reminder to me to remember to regularly slow down, breathe, meditate, and rest.
Here's the really cool thing: if you leave a comment on this page of my blog, you might just win a free set of stencils. All you have to do is leave your name and a comment. Easy peasy!
And please visit all the other artists who are part of the Artistcellar Blog Hop celebrating the release of their new stencil series: Sacred Geometry 2. You can leave a comment on their blogs for a chance to win the free stencils...plus, they are all awesome artists and worth a looksee.
artistcellar.com/blogs/news
March 1st - Stephanie Gagos
March 3rd - me!
March 4th - Sarah Trumpp
March 5th - Effy Wild
March 6th - Guadalupe Brizuela Cabal
