Kuchi Upcycled Body Butter Storage Container

Among the amazing array of art and craft elements from around the globe that are stocked in Gwen Lafleur’s online store are Kuchi patches. This October, the Artist Tribe (Gwen's posse of like-minded artists) are spotlighting these gorgeous, intricately beaded and embroidered vintage Afghan Kuchi patches...and each one is a mini work of art.

When I opened my box of October supplies and saw a big, round wine-colored Kuchi patch, the creative light bulb went off in my head, and I knew just where to use it.

I am always on the lookout for ways to recycle and upcycle household items. One of my favorite things to repurpose are tubs from the Body Shop’s Body Butter. I had an empty one sitting in my stash for a while and the top of it was exactly the same size as my big Kuchi patch. The question was, what do I do about the rest of the container?

In the past I have covered containers with felt, fabric and molding paste. (Here’s a link to my blogpost about another upcycled storage container.) I searched through my basket of fabrics and box of trims to find similar colors and designs that would work with the wine-colored Kuchi. I decided to go with fibers in the purple and orange family, colors reminiscent of richly colored fall leaves.

 

 First, I measured around the circumference of the tub and also measured the height, added a little extra, and cut a piece from some beautiful purple and gold paisley fabric that I found in New York’s “little India” neighborhood on Lexington Avenue in the east 20s. I had been hoarding it waiting for the right project…and this was the one. I also traced around the bottom and cut a circle shape.

I smeared a layer of gel medium on the container’s sides, then carefully adhered the fabric to it. I used the selvedge edge of the fabric and brought up close to the spiral threads at the top, but made sure not to overlap, which would interfere with the screw-on lid.

 

Next, I snipped the fabric every ¼” toward the bottom so it would fan out a little and I could cover the bottom edge. I also trimmed about ¼” away from the circle of fabric that would be used for the bottom, then used gel medium to adhere it.

While the fabric covered jar was drying, I set to work on the top. I used a piece of purple satin ribbon and adhered it to the side of the top with gel medium. It was a little wider than the lid edge, so I snipped it every ¼” and glued the extra ribbon over the edge to the top, securing it with some washi tape. The taped area would be hidden once the Kuchi patch was attached.

 

The Kuchi patch is quite thick, so I knew that gel medium would not be strong enough to attach it. So, I pulled out my hot glue gun, let it get warm, and squeezed dots of hot glue on the body butter lid, then quickly press the Kuchi in place…easy peasy!

Almost done, but it needed more “bling.” It also needed something to cover up the black selvedge edge near the top.

With the words “More is more!” often said by one of my favorite Fashion Institute of Technology Textile Design teacher ringing in my head, I set to work finding embellishments. I used some of Gwen’s jewelry components and rummaged through my personal stash of jewelry-making parts for the rest. I discovered some long-forgotten carved bone elephants in my stash that were just right and went beautifully with Gwen's dangly charms.

 I also took some of my own handmade Tyvek beads, combined them with small Swarovoski crystals, and added a looped headpin so they would hang. (For my tutorial on how to make beads out of recycled Tyvek mailing envelopes, click here and scroll down to the Tyvek Beaded Necklace instructions.)

On a piece of Gwen’s burnt orange sari ribbon, I alternated the larger dangly embellishments with the Tyvek beads, then tied it around the top of the jar. Last, I wrapped the orange sari ribbon and the dangly elements and fiddled with it until the jar had a casually-elegant appearance.

 Here's a photo of the new storage jar, sitting on my bookshelf along with the other three body butter jars I had previously repurposed. Now the question is...what do I keep in my new India-inspired jar? Art supplies? Jewelry? Coins? Crayons? Mini brads? Beads?

Please take a look the Kuchi patches on Gwen's website...you can save 15% on all Kuchi patches throughout October. And don't forget to surf around and see the incredible papers, trims, stencils and other unique items. The collection of items in Gwen's online store is unlike any other!

Heat-Distressed Recycled Tyvek Inchies

Inchies...I really thought that 1" x 1" would be too small to do anything interesting so I didn't immediately sign up for the exchange in our heARTist trading group http://heartisttradingcards.blogspot.com/. But...I loved the inchies Karen Musgrave and Marie Johansen made and didn't want to miss out on receiving some tiny treasures, so I joined the inchie madness.

I don't usually work huge—I like anything from ATC size to 5"x7" to 24"x24", but really, what could I do on a 1" square? I started by rummaging through my scrap box. The box isn't leftover junk, it has leftover pieces of favorite projects that are too small to use, or unfinished projects that didn't quite come out right but still have interesting elements.

I found a special scrap I had been saving from a project a while back—it was a rectangle of tyvek, made from a recycled USPS mailing envelope. I had painted the inside with an goldish-olive metallic Lumiere paint, splattered it with gold, white, copper and turquoise Lumiere dribbles, then (after it was dry) distressed it quickly with a hot, dry iron. Tyvek, especially the recycled kind, puckers and bubbles and melts unevenly, and you never know what the result will be. (If you try this, please wear a mask and have good ventilation!)

I randomly chopped the piece into 1" squares, then sorted through them to find the most interesting sections. Some I used as they were, and others I hand-stitched together to make them more interesting. I added teeny turquoise seed beads and some tiny chunks of turquoise stone. I backed them with peltex for stability, and instead of using glue, I attached the peltex with tiny criss-cross stitches to add texture. The final touch was adding brown fabric marker at the edges to cover the white peltex that peeked out.

It is interesting that a man-made fiber—tyvek—can have such an organic quality when it is painted and melted. The technique doesn't work as well using ordinary acrylic paint—I have found that only Lumiere gives me the effect I like.

Now I'm ready to do more inchies! They are the perfect way to use up the itty bitty scraps that are too pretty to thow away, but not big enough for any other project.