What’s My Superpower? Recycling!
For the New Year and new decade, Nat had us thinking about
what our art superpower is. As a mixed media artist, I think of myself as a
“jack of all trades, master of none” since I dabble in any and all art forms. So,
choosing an art superpower was hard. I paint, draw, make jewelry, stencil,
stamp, design fabrics, build stuff, putter in PhotoShop®, take photos and
pretty much try all kinds of art. None of my art skills are quite at a
superpower level so I was stumped. In both my daily life and my art life, I
love to recycle and often repurpose bags, boxes, packaging and other materials
into my artwork. With that in mind, I decided to embrace recycling as my
superpower and use recycling to showcase Nat’s new stencils from StencilGirl®.
I save wrapping paper, newspapers, magazines, ribbons,
teabags, strings, packaging materials, and all kinds of boxes, especially
cereal boxes, which I often use to make journals, tags and ATCs. This time, I
pulled a family-size empty Raisin Bran box out of my recycling stash and
started thinking about making a gift box or Artist Trading Cube.
I decided to make a small sketch of a cube on paper to
figure out how the six sides would fit together and where the folds, tabs, and
cuts should go. Once that was done, I drew it to scale on the inside of the
opened Raisin Bran box, designing a 4” cube. In pencil, I marked the areas that
I would keep with “OK” and put an X through the sections I would cut away. I
left some tabs to tuck in at the sides and top.
Using a Cricut exacto knife and my green cutting mat, I very
carefully sliced the cereal box according to my plan. The 4” square box that
emerged, once I cut and folded it, was a little flimsy, so I made a duplicate,
then glued the colorful sides together. I also cut the interior pieces just a
little smaller (about 1/16” smaller on all sides) so that there would be less
bulk when I folded the sides and flaps. Once the piece was dry, I folded the
box up carefully to be sure it was designed properly. (I kept thinking of those
Iowa IQ tests we took in elementary school where they gave you a flat shape
made of dotted and solid lines and ask you what it would be as a 3-dimensional
object. My art brain was kind of exploding but I pushed on ahead.)
Structurally, it worked out well: the angles were 90 degree
and it all fit together even better than I expected. No wonky edges or crooked
sides!
Now for the fun part…decorating my little Raisin Bran box! I
decided to double the recycling fun and glued recycled (dry and empty) teabags
over the gray box shape. For this project, I used bags from black tea, but I
often use turmeric tea or black cherry for color variety.
Next, I tested the new stencils. On an interior flap, I used
Titanium White Liquitex Basics white acrylic and sponged it through the Art
Nouveau Wallpaper stencil. I loved the effect, and decided to use that
technique and stencil all over the exterior sides of the box.
I also wanted to test the new Tokyo stencil, so I taped off
the section that would be the interior bottom and tested the Tokyo design with sepia
Archival ink on a fingertip dauber. That looked great too, so I decided to use
the Tokyo design throughout the inside.
I had a little “oops” sad moment when I realized that I had
stenciled the Art Nouveau Wallpaper stencil going the wrong direction on some
of the exterior panels. I didn’t mind that the left and right sides were upside
down (it added a little visual interest) but the very front was also upside
down!
Rather than giving up, I decided to cover the upside-down
area of the front with sepia Archival ink. It matched the teabag color
perfectly and covered the imperfectly stenciled section perfectly! Later, I
carefully positioned the stencil (facing the correct direction this time!) and
again used white paint with a cosmetic wedge to reapply the Art Nouveau
Wallpaper stencil.
I glued the box and tabs together with Liquitex gloss heavy
gel, used small clips and little pieces of waxed paper to keep the clips from
sticking to the box, and left it overnight to dry. I also added some extra strips
of teabag on the untabbed sides to reinforce the box.
It needed a closure and I thought about what style to use. I
could have simply tucked the top front tab inside the box and called it done…but
I didn’t. Since the box is cardboard, I
also didn’t want to use something that would wear out, shred or rip over time.
The perfect solution was sticky-backed Velcro. I chose some round pieces of tan
Velcro from my stash, which matched quite well. I aligned each piece of Velcro carefully,
removed the backing, and pressed it in place. It worked perfectly, but I still
felt it needed a little more visual interest for the closure.
One of my textile design teachers often shouted, “More is
More!” to the class, and thinking of her, I decided to embellish the box further.
I wanted the closure to be pretty, easy to open, but still hold securely. There
was something old-fashioned about the combination of teabags with the Art
Nouveau Wallpaper stencil, so I went through my electronic file of vintage
images from The Graphics Fairy, printed a sheet of images sized to a 2” scale,
then “auditioned” them to see which would go best with the little box.
I settled on an image of a French postage stamp and
postmark—it was the right color, shape and, I think, actually from the Art
Nouveau era. I wanted the closure to have some depth and durability, so I used
a small piece of corrugated cardboard cut about ½” larger than the postmark
design, covered it with a teabag, edged it with sepia ink, then glued the stamped
postmark to the center. I attached the rectangular vintage stamp with the heavy
gel at the edge of the front tab, but also added two brads for extra strength
and visual interest. Finally, I darkened all of the edges of the box with sepia
ink applied using a fingertip dauber.
Would you ever guess that this adorable little Art
Nouveau-inspired treasure box was once a family-sized box of Raisin Bran?
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