UpCycled Picnic Tray

 This post ran on StencilTalk, the StencilGirl blog on September 30, 2020

Hi! Linda Edkins Wyatt here, sharing how I took an old, dilapidated serving tray and transformed it into an adorable, vintage-looking picnic tray! I used paper that I designed using all five of my Lemurian Garden stencils, which was then cut, carefully arranged, glued, and sealed on the tray to give the effect of a heirloom quilt.

The serving tray that I started out with looked pretty sad: it had holes on the surface and in the corners from wear and tear, but the frame and legs were still solid. I had tucked it in a corner and thought, "It's still functional...someday I'll fix this." When the StencilGirl theme of Home Decor came up, I knew it was time to breathe new life into the old tray.

The damaged serving tray—before its transformation.

I thought about painting it and stenciling on top but decided that I'd try a pieced paper patchwork effect instead of painting directly on the tray. I have spent much of my life around quilts and fabric, but this time instead of using cloth and stitching a design, I decided to use paper for the quilted effect.

I had a beautiful sheet of paper that I made as a sample for the July 15 debut of my stencils. I scanned the painting, then made printouts from my color ink jet printer. (Click HERE to see my full post about the stencil debut.)

I started with a big sheet of white watercolor paper and added my Lemurian Stencils in pastel colors.

 

Here's the final painting that I scanned and reprinted on paper:

In this allover design, you can pick out the leaf, tulip, lily, spiral and pansy stencils.

First, before I could beautify the tray, I needed to fix the holes in it. I filled in the holds with DAP Plastic Wood. After the fill dried, I sanded it smooth.

Next, I "auditioned" various prints and solids to go with the paper I made from my Lemurian Stencil Collection. I decided on some pink vintage prints and a polka dot from The Graphics Fairy.

I alternated squares of my printed Lemurian Garden paper with vintage pink and white patterns that I downloaded from The Graphics Fairy.

I cut the papers into squares, thinking I would do a simple checkerboard effect. My inner quilter said that the checkerboard was boring, so I got brave and cut each square into triangles, then arranged those pieces in a pinwheel design, reminiscent in color and design of a favorite childhood quilt.

The paper squares were cut into triangles for a pinwheel quilt design.

Once I decided on the pattern and colors, I began gluing them onto the tray with Liquitex Matte Medium.

When I measured the squares of printed paper, they fit perfectly on the tray. Somehow when I sliced the squares into triangles and created the pinwheel design, the shapes ended up smaller, and I was left with a white strip down the middle! I debated how to fix the problem.

Washi Roll to the rescue! 

Similar to sushi rolls, I had just made some paper "washi rolls" as a Stencil Club trade. Artist and StencilClub member Wendy Baysa has a really good youtube video on how to make Washi Rolls. I had made three rolls--I traded one 3" x 28" roll and saved two for myself. As luck would have it, or maybe because I'm a creature of habit, the colors went beautifully with the pinwheel pieces and they were just the right width. The hard part was deciding which roll to use on my tray. I loved the one with the green bunny, but the one with the black and sepia Julie Balzer stamps had more punch.

The Washi Rolls above were made with several layers of StencilGirl designs with both acrylic paint and archival ink, plus collage and stamps. I used paper from a vintage piano roll, reinforced it with with deli paper, cut it into 3" x 28" strips, then stamped, stenciled and collaged them.

I bravely cut the roll and glued it in place. I loved it! But....how would I waterproof the tray? After all, what good is a serving tray if you can't clean it? I didn't intend to eat directly off the tray, but I did want to be able to rinse it off or wipe it with a sponge or antibacterial wipe without damaging the tray.

The "washi roll" was just the right width to cover the white gap in the middle of the tray.

I tested some pieces of the stenciled paper with some of Seth Apter's Vintage Beeswax embossing powder. I put on a thin layer of matte medium, sprinkled the Vintage Beeswax liberally, zapped it with the heat gun, and magic happened.

The colors darkened a little, and the test paper now had a beautiful shine. I gathered my courage, held my breath, then embossed the whole tray section by section.

Here's a close-up of the tray. You can see the Lemurian Pansy in turquoise on the bottom left, and the Lemurian Tulip in pink on the bottom right:

With the addition of the matte medium and embossing powder, the whites had taken on an ecru color, the brightness was toned down and had an aged feel. The tray took on a vintage 1930s vibe and it reminded me of  an old fashioned picnic tray. 

With that idea in mind, I decided to make a matching picnic plate. This time, since I was working with a circular shape, I chose a circular quilt pattern. I downloaded a template from the internet, and cut little petal shapes out of my leftover paper, arranged them carefully, then glued them down to a paper plate I had covered with pink polka dot paper. Again, when the pattern was finished, I covered the plate with matte medium and Vintage Beeswax and heated it until the powder melted.

Since I made the plate from paper and glue, it is a prototype, and I will not use it for dining. But it would make beautiful design for a dinnerwear set, wouldn't it?

Inspired by the picnic mood and the Lemurian Garden theme, I took the tray to my nearest outdoor spot: Tudor City Park, a beautiful out of the way area of Midtown East that overlooks the United Nations. The quiet, peaceful park on a beautiful summer day was a perfect setting for my upcycled picnic tray and plate!

Faux Antique Ephemera Box

Serendipity would have it that for my very first StencilClub Voices post, I had the joy of working with some brand new Stencil Club designs that were a collaboration between Seth Apter and MaryBeth Shaw. Using Seth's grunge technique and his Emerald Creek Baked Texture Embossing Powder seemed like a perfect compliment to the new designs.

I live in a small space, so storage solutions have to be both functional and attractive. I keep many of my supplies in decorative shoeboxes, which are then artfully arranged on my tables, bookshelves and closets. Since I had recently purchased some new clogs, there was a nice clean Dansko box waiting to be transformed.

Last winter I took a class given by Seth at the Ink Pad NYC. (And I am happy to announce that I am now teaching there! Can you see me happy dancing?)  The class was called Radiant Rust. I decided to apply the grunge and bling techniques I learned from Seth to my humble shoebox.

Ready to paint the shoebox with black gesso.

I started by painting the outside with black gesso.

When it was dry, I began the grunge process.

The box was dry and ready for the "grunge" process.

Color 1 was applied with Seth's special technique.

Color 2 was added.

Color 3.

Almost done with the grunge technique.

Grunged box, ready for the "bling" of Baked Texture through the new stencils.

Once the grunge effect was dry, the magic began: I added Ancient Amber embossing powder through the new set of stencils. I used a VersaMagic stamp pad first, then sprinkled on the powder, tapped off the excess, and zapped it with a heat gun. I repeated the process all over with most of the January StencilClub set. When the light catches it right, the effect is magical, like petrified wood in an ancient forest.

The VersaMark goes on clear, but is sticky and holds the embossing powder.

Ancient Amber embossing powder was generously sprinkled on.

Excess embossing powder was tapped off, leaving the stencil design.

After a few minutes with the heat gun, the embossing powder melted and shimmered.

A closeup of the new stencils over the grunged background.

 The effect was great, but I felt that a central focus was needed, so I pulled out one of my "go-to" stencils: a fleur de lis compass rose, which was part of Gwen Lafluer's recent StencilClub set. This time, I used Patina Oxide embossing powder. The fleur de lis compass rose was just what the box needed to add some extra magic.

One of the stencils from the July 2018 Ceramic Tiles design set was added to the box.

I added the fleur de lis compass rose on the top and half on the front.

An extra touch was a keyhole shaped brad that I placed in the center of the outside.

I decided that it needed just a little something more...maybe legs? Maybe a knob to open it? I searched around my art storage drawers and found a set of beautiful aqua floral knobs that I picked up on sale a while ago. The color worked...the design was not a perfect match, but the shape and color were right. I threw caution to the wind and poked a hole right through the center of the compass rose fleur de lis shape.

 

It was just right!

 

Now the big decision: do I fill the box with stamps? stencils? pencils? paper scraps? Decisions, decisions! Maybe I'll have to make a few more of these Faux Antique Boxes since I'm always adding to my art supply collection!